Solo

Skyppan (2024)

Basset Clarinet

Duration: ca. 42’

Commissioned by Carl Rosman.

First performance tbc.

Ffarwel i Uli (2023)

Amplified Violin & Ring Modulator

Duration: ca. 7’

Commissioned by Hannah Weirich with funds provided by the Ernst von Siemens Music Foundation.

First performed on 30 August 2023 by Hannah Weirich @ Studio des Ensemble Musikfabrik, Köln (DE).

Strumble Head (2021)

Guitar

Duration: ca. 5’

Commissioned by International Guitar Foundation & Festivals (IGF).

First performed on 23 October 2021 by Bradley Johnson @ Kings Place, London (UK).

Reverie (2021)

Oboe

Duration: ca. 8′

Written for Elen Morgan-Williams.

First performed on 3 June 2021 by Elen Morgan-Williams @ Guildhall School of Music & Drama, London (UK).

Gêmdisyn (2020)

Clarinet in Eb

Duration: ca. 9′

Commissioned by Ensemble Musikfabrik.

First performed on 7 August 2021 by Carl Rosman, Darmstadt Ferienkurse – Lichtenbergschule Sporthalle, Darmstadt (DE).

One, Two, Bakerloo… (2020)

Violin

Duration: ca. 30″

Written for Fenella Humphreys.

First performed on 10 June 2020 by Fenella Humphreys – Homemade Concert #14 @ Youtube. Recorded by Rubicon Classics on disk Prism.

In Sleep Braces (2018)

Organ

Duration: ca. 5’30”

Written for Giovanni Michelini.

First performed on 23 July 2018 by Giovanni Michelini – International Organ Festival Haarlem @ St. Bavo’s Church, Haarlem (NL).

A Ribbon At A Time (2018)

Bassoon

Duration: ca. 3’

Written for Georgie Powell.

First performed on 30 July 2018 by Georgie Powell @ Darmstadt Ferienkurse, Lichtenbergschule, Darmstadt (DE).

Oceans (2013)

Fixed Tape

Duration: ca. 8’

Written for Bethan Morgan-Williams.

First performed on 12 December 2013 by Bethan Morgan-Williams @ Crystal House, Manchester (UK).

A Thornbush In My Strength (2013)

Percussion

Duration: ca. 3’30”

Instrumentation: saron, snare drum, splash cymbal.

Written for Delia Stevens.

First performed on 30 October 2013 by Delia Stevens (House of Bedlam) @ Royal Northern College of Music, Manchester (UK).

Minstrels On Their Way Home (A Tribute to Debussy) (2013)

Piano

Duration: ca. 3’30″

First performed on 8 May 2012 by Leanne Cody @ Bridgewater Hall Manchester (UK).

The Turaco (2005)

Piano

Duration: ca. 4′

Written for Antonella Haywood.

Chamber

Trying to Use Words (2025)

Singing Harpist & Dancer

Duration: ca. 9’

Commissioned by Jenna Vergeynst.

First performed on 25 April 2025 by Jenna Vergeynst & Myrthe Bokelmann @ De Graaf, Ghent (BE).

Gormod (2024)

Oboe, Basset Clarinet, Euphonium, Viola, Cello

Duration: ca. 12′

Commissioned by Berliner Festspiele/MaerzMusik, with funding from the Ernst von Siemens Music Foundation.

First performed on 20 March 2024 by Peter Veale, Carl Rosman, Maxime Morel, Axel Porath & Dirk Wietheger @ Radialsystem, Berlin (DE).

Fleck (2023)

Clarinet in Eb, Clarinet in A, Viola

Duration: ca. 10’

Written for Darmstadt Ferienkurse.

First performed on 18 August 2023 by Marcin Domagala, Yui Matsunaga and Yona Su @ Darmstadt Ferienkurse, Lichtenbergschule, Darmstadt (DE).

Voices Go With You (2022)

Alto Flute, Cello, Percussion, Piano

Duration: ca. 11’

Commissioned by Psappha Ensemble.

First performed on 12 May 2022 by Psappha Ensemble @ Hallé St. Peter’s, Manchester (UK).

Parodi i Dri (2021)

Clarinet in Bb, Violin, Piano

Duration: ca. 5’30″

Commissioned by National Youth Arts Wales.

First performed (virtual) on 21 October by Nathan Isaac, Nick Francis & Gwydion Rhys.

Traces of a Disco (rev. (2021))

Alto Flute, Bass Clarinet in Bb, Vibraphone, Cello, Double Bass

Duration: ca. 6′

Revised for new instrumentation.

Revised version first performed on 17 July 2021 by Clare Findlater, Heather Roche, Jake Brown, Colin Alexander & Tom Goodman (cond. Darren Bloom) @ LSO St. Luke’s, London (UK).

Demeter’s Cry (2020)

Violin, Accordion, Double Bass, Drum-kit

Duration: ca. 6’30″

Commissioned by Fenella Humphreys with funding from The Marchus Trust.

First performed on 5 October 2020 by Fenella Humphreys, Iñigo Mikeleiz Berrade, Ben Griffiths & George Barton @ Chiltern Arts Festival, Henley-on-Thames (UK).

Dog in the Moon (2020)

Viola & Percussion

Duration: ca. 10′

Commissioned by the BBC & London Symphony Orchestra for Antoine Tamestit & Colin Currie.

First performed on 8 October by Antoine Tamestit & Colin Currie @ LSO St. Luke’s, London (UK).

Datod (2020)

Violin & Piano

Duration: ca. 8′

Commissioned by the Park Lane Group with funds provided by the RVW Trust.

First performed on 13 July 2020 by Hannah Weirich & Ulrich Löffler @ Studio of Ensemble Musikfabrik, Köln (DE).

Severn (2019)

Clarinet in A, Bass Clarinet in Bb, Mandolin, Guitar, Violin, Viola, Cello

Duration: ca. 8′

Written for the New European Ensemble.

First performed on 3 April 2019 by the New European Ensemble @ Korzo Theatre, Den Haag (NL).

Double Double (2018)

String Quartet

Duration: ca. 14’30”

Commissioned by Hilary Browning.

First performed on 6 November 2019 by Equilibrium Ensemble @ University of Liverpool Lunchtime Concert Series, Liverpool (UK).

Ghost Tongues (2018)

String Quartet

Duration: ca. 11′

Commissioned by the Royal Philharmonic Society through the Susan Bradshaw Composers Fund.

First performed on 11 July 2018 by the Ligeti Quartet @ Cheltenham Music Festival – Chapel Arts, Cheltenham (UK).

Traces of a Disco (2018)

Cimbalom, Bass Clarinet in Bb, Double Bass

Duration: ca. 6’”

Commissioned by Rachel Swanick with support from the Arts Council England, Psappha and the Whitworth Art Gallery.

First performed on 17 May 2018 by Psappha Ensemble @ Whitworth Art Gallery, Manchester (UK).

The Cross & The Albatross (2017)

Bassoon & Harpsichord

Duration: ca. 6’30”

Commissioned by Hugh Woolley.

First performed on 7 May 2017 by Hugh Woolley and Stephen Giles @ Birmingham Conservatoire, Birmingham (UK).

In Kenopsia (2017)

Trombone & Live Electronics

Duration: ca. 5’30”

Commissioned by Psappha in partnership with PRS for Music Foundation Talent Development.

First performed on 15 February 2017 by Tony Boorer & Bethan Morgan-Williams @ Hallé St. Michael’s, Manchester (UK).

Enraptured (2015)

Violin & Piano

Duration: ca. 8′

First performed on 31 January 2016 by Paul Silverthorne & Aglaia Tarantino @ LSO St Luke’s, London (UK).

In the Crypt (2015)

Horn & Live Electronics

Duration: ca. 8′

Written for Alison Wilmshurst.

First performed on 15 May 2015 by Alison Wilmshurst & Bethan Morgan-Williams @ Royal Northern College of Music, Manchester (UK).

Helpings of Hell (2013)

Flute & Double Bass

Duration: ca. 5′

First performed on 2 July 2013 @ British Museum: RNCM 40th Anniversary Concert, London (UK).

A Beautiful Dance With A Chainsaw (2012)

2 Drum-kits, Piano, Electric Guitar, Violin, Cello

Duration: ca. 7′

First performed on 30 November 2012 by the Vulgar Display @ Royal Northern College of Music, Manchester (UK).

News Bulletins (2012)

Piano Trio

Duration: ca. 14′

First performed on 26 April 2012 by Bethan Morgan-Williams, Abel Selacoe & Leanne Cody @ Royal Northern College of Music, Manchester (UK).

U Ty Uchaf (2006)

Violin Quartet

Duration: ca. 8′

First performed in June 2006 by Catherine Lord, Katie Sharp, Kate Suthers & Bethan Morgan-Williams @ Wells Cathedral School, Somerset (UK).

Bywyd Y Nant (2005)

Violin Quartet

Duration: ca. 6’30”

First performed in December 2005 by Catherine Lord, Katie Sharp, Kate Suthers & Bethan Morgan-Williams @ Wells Cathedral School, Somerset (UK).

Bryanston Jig (2002)

2 Violins, Viola, 2 Double Basses, Bongos

Duration: ca. 2′

First performed in August 2002 by Catherine Lord, Katie Sharp, Ben Weedon, David Heyes, Alfie Weedon & Bethan Morgan-Williams @ Bryanston College, Dorset (UK).

Ensemble

Digon! (2025)

Flute, Oboe, Soprano Saxophone, Bass Clarinet in Bb, Drum-kit, Piano (=Sampler), Violin, Viola, Cello

Duration: ca. 15’

A Saunders commission for ensemble mosaik.

First performance on 17 January 2026 by ensemble mosaik (cond. Enno Poppe) @ Ultraschall – Radialsystem, Berlin (DE).

ILDIO (2025)

Piccolo, Oboe, Bass Clarinet, Bassoon, Trumpet (=Marching Kazoo), Trombone (=Slide Whistle), Piano, Harp (=Voice), Violin, Viola, Cello, Double Bass

Duration: ca. 11’

Commissioned by Birmingham Contemporary Music Group with the support of Arts Council England and BCMG’s Sound Investment scheme.

First performed on 22 June 2025 by Birmingham Contemporary Music Group & L’Instant Donné (cond. Catherine Larsen-Maguire) @ Bradshaw Hall, Royal Birmingham Conservatoire, Birmingham (UK).

Gêmdis (2020)

Flute (=Picc.), Oboe (=Slide Whistle/Cor.), Solo Clarinet in Eb, Horn in F (=Slide Whistle), Trombone (=Slide Whistle), Tuba (=Slide Whistle), Piano (=Slide Whistle)

Duration: ca. 17′

Written for Carl Rosman & Ensemble Musikfabrik as part of the Composer Collider Europe project (2017-20).

First performed 26 November 2022 by Ensemble Musikfabrik (cond. Christian Eggen) @ WDR Funkhaus, Köln (DE).

Devil’s Elbow (2019)

Flute (=Alto/D.Rec.), Clarinet in Bb (=B. Cl. in Bb), Soprano Trombone, 1P, Piano (=Sampler/Slide Whistle), Harp, Electric Guitar, Live Electronics, 2 Violins, Viola, Cello, Double Bass

Duration: ca. 12′

Commissioned by Uproar Ensemble.

First performed on 28 February 2020 by Uproar Ensemble (cond. Michael Rafferty) @ Chapel Arts Centre, Cardiff (UK).

Speelklok II (2018)

Mandolin, Accordion, Harpsichord, Celesta, Piano, Percussion

Duration: ca. 7’30”

First performed on 24 January 2019 by the Spaceship Ensemble (cond. Hardy Li) @ Koninklijk Conservatorium, Den Haag (NL).

Mirages in Pisa (2016)

Flute (=Picc), Oboe (=Cor), Clarinet in A (=B.Cl. in Bb), Trumpet (=Picc), Horn, 1P, Piano, 2 Violins, Viola, 2 Cellos

Duration: ca. 12’

Commissioned by the Royal Liverpool Philharmonic Orchestra through the Christopher Brooks Composition Prize, supported by the Rushworth Foundation.

First performed on 26 October 2016 by Ensemble 10/10 (cond. Clark Rundell) @ St. George’s Hall, Liverpool (UK).

Orchestra

Parti Di-ffiniau (2022)

3333 / 4331 / 1T 3P 1Pno 1Hp / 12.10.8.6.4

Duration: ca. 4′

Commissioned by the City of Birmingham Symphony Orchestra (CBSO).

First performed on 29 January 2023 by the CBSO (cond. Clark Rundell) @ Symphony Hall, Birmingham (UK).

The Promenaders (2017)

2222 / 223 / 1T 2P 1H 1BG (opt.) / 10.8.6.4.2

Duration: ca. 6’

Commissioned by the Promenade Concert Orchestra.

First performed on 21 May 2017 by the Promenade Concert Orchestra (cond. Howard Rogerson) @ The Platform, Morecambe (UK).

KNO₃ (2016)

2222 / 2Hn / 1T 3P / 12.10.8.6.4

Duration: ca. 6’

Commissioned by the International Conductors Festival.

First performed on 29 July 2016 by the Piccadilly Symphony Orchestra (cond. Xavier Cloete) @ Norton Centre for the Arts, Danville KY (USA).

Scoot (2015)

3333 / 4331 / 1T 2P 1Cel 1Hp / 14.12.10.8.6

Duration: ca. 4’

Commissioned by the London Symphony Orchestra through the LSO Discovery Panufnik Composers Scheme, supported by the Helen Hamlyn Trust.

First performed on 11 March 2016 by the London Symphony Orchestra (cond. François-Xavier Roth) @ LSO St. Luke’s, London (UK). Recorded by LSO Live on disk Panufnik Legacies III.

Harangue (2014)

4243 / 311 / 1T 3P 1Pno 1BG 1Cel 1Hp / Solo Hn / 10.8.6.4.2

Duration: ca. 9’

First performed on 10 May 2014 by Alex Wildsmith & RNCM Brand New Orchestra @ Royal Northern College of Music, Manchester (UK).

After Every Fourth or Fifth Question (2010)

2222 / 22 / 2P 1Pno / 10.8.6.6.2

Duration: ca. 9’

First performed on 3 October 2010 by RNCM Brand New Orchestra @ Royal Northern College of Music, Manchester (UK).

arr. Three Pieces for Beginner String Orchestra (2007)

String Orchestra

Duration: ca. 4’

First performed in February 2007 by WYMSO (cond. Catherine Lord) @ Wells Cathedral School, Somserset (UK).

Two Shadows Taking Pictures (2007)

String Orchestra

Duration: ca. 7’30”

First performed in February 2007 by the Wells Cathedral School String Ensemble (cond. Catherine Lord) @ Royal Northern College of Music, Manchester (UK).

Hen Daith (2005)

String Orchestra

Duration: ca. 5’

First performed in June 2005 by the Wells Cathedral School String Ensemble (cond. Catherine Lord) @ Colston Hall, Bristol (UK).

Vocal

Shilly Shally (2021)

Soprano & Piano

Duration: ca. 5′

Text by Bethan Morgan-Williams.

Written for Sarah Dacey as part of the CoDI opera project.

First performed on 26 July 2021 by Sarah Dacey & Christopher Williams @ Cardiff University, Cardiff (UK).

Cusan Aderyn (2019)

Soprano & Piano Trio

Duration: ca. 5′

Text by Richard Llwyd.

Commissioned by Canolfan Gerdd William Mathias.

First performed on 16 October 2021 by Alys Roberts, Sara Trickey, Sebastian Van Kuijk & Iwan Llewelyn-Jones @ Galeri Arts, Caernarfon (UK).

arr. Liverpool Lullaby (2019)

Mezzo-Soprano & Piano

Duration: ca. 6’

Text by Stan Kelly.

Commissioned by Sandra Parr.

First performed on 29 September 2019 by Jennifer Johnston & Marina Staneva @ Music Room, Liverpool (UK). Recorded by Rubicon Classics on disk A Love Letter To Liverpool

Coming ‘Round Again (2017)

SSA, Percussion, Piano

Duration: ca. 4’

Text by Matthew Hill.

Commissioned by the Liverpool Philharmonic Youth Choir.

First performed on 2 July 2017 by the Liverpool Philharmonic Youth Choir @ Royal Philharmonic Hall, Liverpool (UK).

Walk With Me (2014)

Mezzo-Soprano & Piano

Duration: ca. 6’

Text by Beatrice Wallbank.

First performed on 22 April 2023 by Jessica Summers and Jelena Makarova @ Holy Trinity Church Hereford, Hereford (UK).

Sleepwalking (2011)

Soprano & Piano

Duration: ca. 3’

Text by Carly Hinds.

Remembrance (2006)

Alto, Alto Flute, Violin, Viola, Bass Clarinet in Bb

Duration: ca. 5’30

Text by Laurence Binyon.

First performed on 12 November 2006 by Jessica Radcliffe @ Wells Cathedral School, Somerset (UK).