List of Works

Solo

Skyppan (2024): Basset Clarinet; Commissioned by Carl Rosman; First performance tbc; Duration ca. 42’
Ffarwel i Uli (2023): Amplified Violin & Ring Modulator; Commissioned by Hannah Weirich with funds provided by the Ernst von Siemens Music Foundation.; First performed on 30 August 2023 by Hannah Weirich, Studio des Ensemble Musikfabrik (Köln, DE).; Duration ca. 7’
Strumble Head (2021): Guitar; Commissioned by International Guitar Foundation & Festivals (IGF); First performed on 23 October 2021 by Bradley Johnson, Kings Place (London, UK).; Duration ca. 5’
Reverie (2021): Oboe; Written for Elen Morgan-Williams; First performed on 3 June 2021 by Elen Morgan-Williams, Guildhall School of Music & Drama (London, UK).; Duration ca. 8′
Gêmdisyn (2020): Clarinet in Eb; Commissioned by Ensemble Musikfabrik; First performed on 7 August 2021 by Carl Rosman, Darmstadt Ferienkurse – Lichtenbergschule Sporthalle (DE).; Duration ca. 9′
One, Two, Bakerloo… (2020): Violin; Written for Fenella Humphreys; First performed on 10 June 2020 by Fenella Humphreys, Homemade Concert #14 at Youtube (London, UK).; Recorded by Rubicon Classics on disk Prism.; Duration ca. 30″
In Sleep Braces (2018): Organ; Written for Giovanni Michelini; First performed on 23 July 2018 by Giovanni Michelini, International Organ Festival Haarlem at St. Bavo’s Church (Haarlem, NL).; Duration ca. 5’20”
A Ribbon At A Time (2018): Bassoon; Written for Georgie Powell; First performed on 30 July 2018 by Georgie Powell, Darmstadt Summer Festival (DE).; Duration ca. 3’
Oceans (2013): Fixed Tape; Written for Bethan Morgan-Williams; First performed on 12 December 2013 by Bethan Morgan-Williams, Crystal House (Manchester, UK).; Duration ca. 8’
A Thornbush In My Strength (2013): Percussion; First performed on 30 October 2013 by Delia Stevens (House of Bedlam), Royal Northern College of Music (Manchester, UK). Instrumentation: saron, snare drum, splash cymbal.; Duration ca. 3’30”
Minstrels On Their Way Home (A Tribute to Debussy) (2013): Piano; First performed on 8 May 2012 by Leanne Cody, Bridgewater Hall (Manchester, UK).; Duration ca. 3’30″
The Turaco (2005): Piano; Written for Antonella Haywood.; Duration ca. 4′

Chamber

Trying to Use Words (2025): Singing Harpist & Dancer; Commissioned by Jenna Vergeynst; First performed on 25 April 2025 by Jenna Vergeynst & Myrthe Bokelmann, De Graaf (Ghent, BE).; Duration ca. 9’
Gormod (2024): Oboe, Basset Clarinet, Euphonium, Viola, Cello; Commissioned by Berliner Festspiele/MaerzMusik, with funding from the Ernst von Siemens Music Foundation.; First performed on 20 March 2024 by Peter Veale, Carl Rosman, Maxime Morel, Axel Porath & Dirk Wietheger, Radialsystem (Berlin, DE).; Duration ca. 12′
Fleck (2023): Clarinet in Eb, Clarinet in A, Viola; Written for a Darmstadt Ferienkurse workshop; First performed on 18 August 2023 by Marcin Domagala, Yui Matsunaga and Yona Su, Lichtenbergschule (Darmstadt, DE).; Duration ca. 10’
Voices Go With You (2022): Alto Flute, Cello, Percussion, Piano; Commissioned by Psappha Ensemble; First performed on 12 May 2022 by Psappha Ensemble, Hallé St. Peter’s (Manchester, UK).; Duration ca. 11’
Parodi i Dri (2021): Clarinet in Bb, Violin, Piano; Commissioned by National Youth Arts Wales; First performed (virtual) on 21 October by Nathan Isaac, Nick Francis & Gwydion Rhys.; Duration ca. 5’30″
Traces of a Disco (rev. 2021): Alto Flute, Bass Clarinet in Bb, Vibraphone, Cello, Double Bass; Revised for new instrumentation.; Revised version first performed on 17 July 2021 by Clare Findlater, Heather Roche, Jake Brown, Colin Alexander & Tom Goodman (cond. Darren Bloom), LSO St. Luke’s (London, UK).; Duration ca. 6′
Demeter’s Cry (2020): Violin, Accordion, Double Bass, Drum-kit; Commissioned by Fenella Humphreys with funding from The Marchus Trust.; First performed on 5 October 2020 by Fenella Humphreys, Iñigo Mikeleiz Berrade, Ben Griffiths & George Barton, Chiltern Arts Festival (Henley-on-Thames, UK).; Duration ca. 6’30″
Dog in the Moon (2020): Viola & Percussion; Commissioned by the BBC & London Symphony Orchestra for Antoine Tamestit & Colin Currie.; First performed on 8 October by Antoine Tamestit & Colin Currie, LSO St. Luke’s (London, UK). : Duration ca. 10′
Datod (2020): Violin & Piano; Commissioned by the Park Lane Group with funds provided by the RVW Trust.; First performed on 13 July 2020 by Hannah Weirich & Ulrich Löffler, Studio of Ensemble Musikfabrik (Köln, DE).; Duration ca. 8′
Double Double (2018): String Quartet; Commissioned by Hilary Browning; First performed on 6 November 2019 by Equilibrium Ensemble, University of Liverpool Lunchtime Concert Series (Liverpool, UK).; Duration ca. 14’30”
Ghost Tongues (2018): String Quartet; Commissioned by the Royal Philharmonic Society through the Susan Bradshaw Composers Fund.; First performed on 11 July 2018 by the Ligeti Quartet, Cheltenham Music Festival at Chapel Arts.; Duration ca. 11′
Traces of a Disco (2018): Cimbalom, Bass Clarinet in Bb, Double Bass; Commissioned by Rachel Swanick with support from the Arts Council England, Psappha and the Whitworth Art Gallery.; First performed on 17 May 2018 by Psappha Ensemble, Whitworth Art Gallery (Manchester, UK).; Duration ca. 5’40”
The Cross & The Albatross (2017): Bassoon & Harpsichord; Commissioned by Hugh Woolley; First performed on 7 May 2017 by Hugh Woolley and Stephen Giles, Birmingham Conservatoire (UK).; Duration ca. 6’30”
In Kenopsia (2017): Trombone & Live Electronics; Commissioned by Psappha in partnership with PRS for Music Foundation Talent Development.; First performed on 15 February 2017 by Tony Boorer & Bethan Morgan-Williams, Hallé St. Michael’s (Manchester, UK).; Duration ca. 5’30”
Enraptured (2015): Violin & Piano; First performed on 31 January 2016 by Paul Silverthorne & Aglaia Tarantino, LSO St Luke’s (London, UK).; Duration ca. 8′
In the Crypt (2015): Horn & Live Electronics; First performed on 15 May 2015 by Alison Wilmshurst & Bethan Morgan-Williams, Royal Northern College of Music (Manchester, UK).; Duration ca. 8′
Helpings of Hell (2013): Flute & Double Bass; First performed on 2 July 2013, British Museum: RNCM 40th Anniversary Concert (London, UK).; Duration ca. 5′
A Beautiful Dance With A Chainsaw (2012): 2 Drum-kits, Piano, Electric Guitar, Violin, Cello; First performed on 30 November 2012 by the Vulgar Display, Royal Northern College of Music (Manchester, UK).; Duration ca. 7′
News Bulletins (2012): Piano Trio; First performed on 26 April 2012 by Bethan Morgan-Williams, Abel Selacoe & Leanne Cody, Royal Northern College of Music (Manchester, UK).; Duration ca. 14′
U Ty Uchaf (2006): Violin Quartet; First performed in June 2006 by Catherine Lord, Katie Sharp, Kate Suthers & Bethan Morgan-Williams, Wells Cathedral School (UK).; Duration ca. 8′
Bywyd Y Nant (2005): Violin Quartet; First performed in December 2005 by Catherine Lord, Katie Sharp, Kate Suthers & Bethan Morgan-Williams, Wells Cathedral School (UK).; Duration ca. 6’30”
Bryanston Jig (2002): 2 Violins, Viola, 2 Double Basses, Bongos; First performed in August 2002 by Catherine Lord, Katie Sharp, Ben Weedon, David Heyes, Alfie Weedon & Bethan Morgan-Williams, Bryanston College (UK).; Duration ca. 2′

Ensemble

Digon! (2025): Flute, Oboe, Soprano Saxophone, Bass Clarinet in Bb, Drum-kit, Piano (=Sampler), Violin, Viola, Cello.; A Saunders commission for ensemble mosaik.; First performance on 17 January 2026 by ensemble mosaik (cond. Enno Poppe), Ultraschall Berlin (DE).; Duration ca. 15’
ILDIO (2025): Piccolo, Oboe, Bass Clarinet, Bassoon, Trumpet (=Marching Kazoo), Trombone (=Slide Whistle), Piano, Harp (=Voice), Violin, Viola, Cello, Double Bass.; Commissioned by Birmingham Contemporary Music Group with the support of Arts Council England and BCMG’s Sound Investment scheme.; First performed on 22 June 2025 by Birmingham Contemporary Music Group & L’Instant Donné (cond. Catherine Larsen-Maguire), Bradshaw Hall, Royal Birmingham Conservatoire (Birmingham, UK).; Duration ca. 11’
Gêmdis (2020): Flute (=Picc.), Oboe (=Slide Whistle/Cor.), Solo Clarinet in Eb, Horn in F (=Slide Whistle), Trombone (=Slide Whistle), Tuba (=Slide Whistle), Piano (=Slide Whistle); Written for Carl Rosman & Ensemble Musikfabrik as part of the Composer Collider Europe project (2017-20).; First performed 26 November 2022 by Ensemble Musikfabrik (cond. Christian Eggen), WDR Funkhaus (Köln, DE).; Duration ca. 17′
Devil’s Elbow (2019): Flute (=Alto/D.Rec.), Clarinet in Bb (=B. Cl. in Bb), Soprano Trombone, 1P, Piano (=Sampler/Slide Whistle), Harp, Electric Guitar, Live Electronics, 2 Violins, Viola, Cello, Double Bass; Commissioned by Uproar Ensemble.; First performed on 28 February 2020 by Uproar Ensemble, Chapel Arts Centre (Cardiff, UK).; Duration ca. 12′
Severn (2019): Clarinet in A, Bass Clarinet in Bb, Mandolin, Guitar, Violin, Viola, Cello; First performed on 3 April 2019 by the New European Ensemble, Korzo Theatre (Den Haag, NL).; Duration ca. 8′
Speelklok II (2018): Mandolin, Accordion, Harpsichord, Celesta, Piano, Percussion; First performed on 24 January 2019 by the Spaceship Ensemble, Koninklijk Conservatorium Den Haag (NL).; Duration ca. 7’30”
Mirages in Pisa (2016): Flute (=Picc), Oboe (=Cor), Clarinet in A (=B.Cl. in Bb), Trumpet (=Picc), Horn, 1P, Piano, 2 Violins, Viola, 2 Cellos; Commissioned by the Royal Liverpool Philharmonic Orchestra through the Christopher Brooks Composition Prize, supported by the Rushworth Foundation.; First performed on 26 October 2016 by Ensemble 10/10 & Clark Rundell, St. George’s Hall Liverpool (UK).; Duration ca. 12’

Orchestra

Parti Di-ffiniau (2022): 3333 / 4331 / 1T 3P 1Pno 1Hp / 12.10.8.6.4; Commissioned by the City of Birmingham Symphony Orchestra (CBSO).; First performed on 29 January 2023 by the CBSO (cond. Clark Rundell), Symphony Hall (Birmingham, UK).; Duration ca. 4′
The Promenaders (2017): 2222 / 223 / 1T 2P 1H 1BG (opt.) / 10.8.6.4.2; Commissioned by the Promenade Concert Orchestra.; First performed on 21 May 2017 by the Promenade Concert Orchestra & Howard Rogerson, The Platform (Morecambe, UK).; Duration ca. 6’
KNO₃ (2016): 2222 / 2Hn / 1T 3P / 12.10.8.6.4; Commissioned by the International Conductors Festival.; First performed on 29 July 2016 by the Piccadilly Symphony Orchestra & Xavier Cloete, Norton Centre for the Arts (Danville KY, USA).; Duration ca. 6’
Scoot (2015): 3333 / 4331 / 1T 2P 1Cel 1Hp / 14.12.10.8.6; Commissioned by the London Symphony Orchestra through the LSO Discovery Panufnik Composers Scheme, supported by the Helen Hamlyn Trust.; First performed on 11 March 2016 by the London Symphony Orchestra & François-Xavier Roth, LSO St. Luke’s (London, UK).; Recorded by LSO Live on disk Panufnik Legacies III.; Duration ca. 4’
Harangue (2014): 4243 / 311 / 1T 3P 1Pno 1BG 1Cel 1Hp / Solo Hn / 10.8.6.4.2; First performed on 10 May 2014 by Alex Wildsmith & RNCM Brand New Orchestra, Royal Northern College of Music (Manchester, UK).; Duration ca. 9’
After Every Fourth or Fifth Question (2010): 2222 / 22 / 2P 1Pno / 10.8.6.6.2; First performed on 3 October 2010 by RNCM Brand New Orchestra, Royal Northern College of Music (Manchester, UK).; Duration ca. 9’
arr. Three Pieces for Beginner String Orchestra (2007): String Orchestra; First performed in February 2007 by WYMSO & Catherine Lord, Wells Cathedral School (UK).; Duration ca. 4’
Two Shadows Taking Pictures (2007): String Orchestra; First performed in February 2007 by the Wells Cathedral School String Ensemble & Catherine Lord, Royal Northern College of Music (Manchester, UK).; Duration ca. 7’30”
Hen Daith (2005): String Orchestra; First performed in June 2005 by the Wells Cathedral School String Ensemble & Catherine Lord, Colston Hall (Bristol, UK).; Duration ca. 5’

Vocal

Shilly Shally (2021): Soprano & Piano; Text by Bethan Morgan-Williams.; Written for Sarah Dacey as part of the CoDI opera project.; First performed on 26 July 2021 by Sarah Dacey & Christopher Williams, Cardiff University (UK).; Duration ca. 5′
Cusan Aderyn (2019): Soprano & Piano Trio; Text by Richard Llwyd; Commissioned by Canolfan Gerdd William Mathias.; First performed on 16 October 2021 by Alys Roberts, Sara Trickey, Sebastian Van Kuijk & Iwan Llewelyn-Jones, Galeri Arts (Caernarfon, UK).; Duration ca. 5′
arr. Liverpool Lullaby (2019): Mezzo-Soprano & Piano; Text by Stan Kelly. Commissioned by Sandra Parr.; First performed on 29 September 2019 by Jennifer Johnston & Marina Staneva, Music Room (Liverpool, UK).; Recorded by Rubicon Classics on disk A Love Letter To Liverpool.; Duration ca. 6’
Coming ‘Round Again (2017): SSA, Percussion, Piano; Text by Matthew Hill.; First performed on 2 July 2017 by the Liverpool Philharmonic Youth Choir, Royal Philharmonic Hall (Liverpool, UK).; Duration ca. 4’
Walk With Me (2014): Mezzo-Soprano & Piano; Text by Beatrice Wallbank.; Duration ca. 6’
Sleepwalking (2011): Soprano & Piano; Text by Carly Hinds.; Duration ca. 3’
Remembrance (2006): Alto, Alto Flute, Violin, Viola, Bass Clarinet in Bb; Text by Laurence Binyon. First performed on 12 November 2006 by Jessica Radcliffe, Wells Cathedral School (UK).; Duration ca. 5’30